Many jazz musicians write music here and there, but it's still a leap for someone to go from "writing tunes" to taking pride in the art of composition. The alto saxophonist Patrick Cornelius, based in New York for a decade now, is headed that way. After releasing his fourth album, Infinite Blue, earlier this year, he's now set to premiere a new set of compositions for jazz octet. While We're Still Young is a suite based on the illustrated book of children's poems When We Were Very Young, by Winnie-The-Pooh creator A.A.
A Brian Blade Fellowship concert feels a bit like a family reunion. Its core — drummer Blade, pianist Jon Cowherd and bassist Chris Thomas — has played together for more than 20 years, and its horn players have stayed loyal to the operation, too. Its repertoire feels rooted in a deep emotional well where sacred abuts secular and jazz meets its Southern folk cousins. Sparks always seem to fly when it gathers for an infrequent recording or string of tour dates.
Keith Jarrett is a jazz legend. His catalog of recordings includes solo piano improvisations, trio and quartet works, classical performances, early sessions with Charles Lloyd and late ones with Miles Davis. But there's nothing quite like Jarrett's new double-CD set No End: It was recorded in his home studio in 1986, and he plays all the instruments — notably drums, bass and electric guitar.
The Brightmusic Society of Oklahoma presented their second series of concerts on Monday, November 4th at All Soul's Episcopal Church and on Tuesday, November 5th at St. Paul's Episcopal Cathedral. The programs, elegantly titled "Sonata Evening" offered five contrasting duo sonatas featuring flute, oboe, and violin with piano by Camille Saint-Saëns, Robert Schumann, Francis Poulenc, Ludwig van Beethoven and Sergei Prokofiev.
This week's pick for World Cafe: Next is Melbourne, Australia's Courtney Barnett. The 25-year-old singer and guitarist has been self-releasing EPs since 2012; two of them were recently combined to form The Double EP: A Sea of Split Peas.
Sergei Rachmaninov's Piano Concerto No. 3 — "Rach 3," as fans fondly call it — is one of the most famously difficult pieces of music there is. The sheet music goes on and on, with notes so dense the pages start to look like modern art. The piece is so challenging that some noted pianists have declined to perform it — but Yuja Wang has recorded it for her newest album.
Most music fans will recognize the title of Ben Allison's new album, The Stars Look Very Different Today, as a reference to the song "Space Oddity," itself a reference to the film 2001: A Space Odyssey.